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I have developed a visual language that alludes to the interconnecting natural forms and patterns that surround us. I am interested in the relationship between macro and microscopic as well as the almost unnoticed, minute marks and traces.
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My painting process is organic, imitating nature's ephemeral flux, allowing and capturing elements of chance; I work intuitively responding to previous marks. The painterly language I have created derives from many sources; meteorological, astronomical, satellite and microscopic imagery as well as my own photographs.
I am trying to trap the intangible and unsettle the viewers’ sense of scale. On the verge between figuration and abstraction, my aim is to communicate a sensitive, intimate view of nature’s constant flux, for the paintings to be ambiguous, giving clues but not completion.
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